Biography

The Icelandic bass-baritone, Tómas Tómasson, studied at the Reykjavik College of Music and at the Royal College of Music in London, where he graduated with distinction. His vast repertoire ranges from Monteverdi, Verdi and Puccini, Wagner and Richard Strauss, Tchaikovsky, Mussorgsky and Prokofiev to Zemlinsky and Glass.

He made his role debuts in the Heldenbariton repertoire as Tomsky/Queen of Spades at the Théâtre de la Monnaie in Brussels, followed by the title roles of The Flying Dutchman (also at Théâtre de la Monnaie) and Wozzeck at the Opera Nancy.
Over the course of his career, Tómas Tómasson performed at renowned houses such as the Royal Opera House Covent Garden, Vienna State Opera, Bayerische Staatsoper Munich, Dresden Semperoper, Staatsoper Unter den Linden Berlin, Komische Oper Berlin, Hamburgische Staatsoper, Opera Cologne, Teatro alla Scala Milano, Teatro dell‘Opera di Roma, Teatro Regio Turin, Teatro di San Carlo Naples, Teatro Real de Madrid, Gran Teatre del Liceu Barcelona, Théâtre de la Monnaie Brussels, Grand Théâtre de Genève, Nederlandse Opera Amsterdam, Royal Danish Opera Kopenhagen, Lyric Opera of Chicago, Los Angeles Opera and San Francisco Opera.
  
Tómasson collaborated with conductors such as Riccardo Muti, Daniel Barenboim, Antonio Pappano, Andris Nelsons, Simone Young, René Jacobs, Stefan Soltesz, Hartmut Haenchen, Mark Elder, Carlo Rizzi, James Conlon, Ingo Metzmacher, and Lorin Maazel.

Highlights so far include Klingsor/Parsifal at Staatsoper Unter den Linden Berlin under the baton of  Daniel Barenboim and at the Lyric Opera of Chicago, Jochanaan/Salome, Kunrad/Feuersnot and Dutchman/The Flying Dutchman  at the Semperoper Dresden, Wotan/Das Rheingold/Walküre at the Ópera de Oviedo, Wanderer/Siegfried at the Grand Théâtre de Genève, Tomsky/Queen of Spades at the Wiener Staatsoper as well as at the Teatro dell’Opera di Roma, Hans Sachs/Die Meistersinger von Nürnberg at Komische Oper Berlin, Telramund/Lohengrin at Theatro Municipal de Sao Paulo, Dino in the world premiere of Beat Furrer’s La Bianca Notte at Staatsoper Hamburg, the title role of Reimann’s King Lear at Komische Oper Berlin, Frankfurt Opera and Hungarian State Opera, as well as Amphortas in the controversial world premiere of Jonathan Meese’s Mondparsifal Alpha 1-8 at the Wiener Festwochen under Simone Young and Mondparsifal Beta 9-23 at the Berliner Festwochen.

On the concert stage he sang Verdi’s Requiem, J.S. Bach’s St Matthew Passion, Mozart’s Requiem, Haydn’s The Creation, Beethoven’s Symphony No 9 as well as Mahler’s Symphony No 8.

In the season 2017/18, Tómas Tómasson took on, among others, the roles of Dutchman/The Flying Dutchman in Bari and together with the RAI National Symphony Orchestra and James Conlon in Turin, Amfortas and Klingsor in Parsifal at the Hungarian State Opera Budapest, as well as The Ruler/Das Wunder der Heliane in Antwerp and Ghent.

His plans for the season 2018/19 include Wanderer/Siegfried and Wotan/Rheingold/Walküre at the Grand Théâtre de Genève as well as Wotan/Walküre in Bari and at Naples’ Teatro di San Carlo.

Management

General Management

Artist Manager
 
 
 
 
Ingunn Sighvatsdóttir
Artist Manager
ingunn@orlob.net 
Mobil: +49-173-2 067 821

Repertoire

Repertoire Concert

Bach, J.S. Johannes Passion
  Matthäus Passion
  Weihnachtsoratorium
  Magnificat
Beethoven 9. Sinfonie
Brahms Ein deutsches Requiem
Cherubini Missa solemnis in d-moll
Dvorak Requiem
  Stabat Mater
Elgar The Apostles
Händel Dettinger Te Deum
Haydn Die Jahreszeiten
  Nelson Messe
  Die Schöpfung
Honegger Cantate de Noêl
Mahler 8. Sinfonie
Mozart Requiem
  Messe in c-moll
Schumann Das Paradies und die Peri
Tippett A Child of our Time
Verdi Requiem
 

Repertoire Opera

Balada Faust-bal Mefistófeles
Beethoven Fidelio Don Pizarro
Bellini Norma Oroveso
  La sonnambula Conte Rodolfo
Berg Wozzeck Wozzeck
Berlioz Les Troyens Panthée
Bizet Carmen Escamillo
Britten A Midsummer Night's Dream Snug
  Peter Grimes Hobson
Donizetti L'elisir d'Amore Dulcamara
  Lucia di Lammermoor Raimondo
Furrer La bianca notte Dino
  Violetter Schnee Jacques
Glass Akhnaten Aye
  Orphee Judge
Händel Alcina Melisso
  Semele Cadmus/Somnus
Hindemith Das Nusch Nuschi Kyce Wang/Zeremonienmeister
  Mörder, Hoffnung der Frauen 2. Krieger
Janacek Die Sache Makropulos Dr. Kolenaty
Korngold Das Wunder der Heliane Herrscher
Lang Parzefool Amphortas
Leoncavallo Pagliacci Tonio
Marschner Der Vampyr Lord Ruthven
Mascagni Cavalleria rusticana Alfio
Massenet Werther Le Bailli
Monteverdi Orfeo Plutone
  Il ritorno d'Ulisse in patria Antinoo/Tempo
Mozart Don Giovanni Don Giovanni
    Il Commendatore
    Masetto
  Così fan tutte Don Alfonso
  Die Zauberflöte Sarastro
  La clemenza di Tito Publio
  Zaide Osmin
Mussorgski Boris Godunow Pimen
  Sorochinski Fair Cherevik
Prokofiev Der feurige Engel Ruprecht
  Die Liebe zu den drei Orangen König Tref
Puccini La bohème Colline
Reimann Lear Lear
Ruzicka Celan Der Ober, ein Mann
Saint-Saens Samson et Dalila Grand Prêtre de Dagon
Schostakowitsch Lady Macbeth von Mzensk Boris
    Pope
Sommerro Eystein av Nidaros Kong Sverre
Strauss, R. Salome Jochanaan
  Feuersnot Kunrad
  Arabella Graf Waldner
  Ariadne auf Naxos Truffaldino
Tchaikovsky Mazeppa Mazeppa
  Queen of Spades Tomsky
  Eugene Onegin Gremin
Verdi Rigoletto Rigoletto
    Sparafucile
  Don Carlos Filippo II
    Grand Inquisitore
    Frate
  La traviata Giorgio Germont
  Il trovatore Conte di Luna
    Ferrando
  Nabucco Zaccaria
  La forza del Destino Il Marchese di Calatrava
  Otello Lodovico
Wagner Der fliegende Holländer Holländer
  Lohengrin Telramund
  Die Meistersinger von Nürnberg Hans Sachs
    Hans Foltz
    Veit Pogner
  Das Rheingold Wotan
    Fasolt
    Fafner
  Die Walküre Wotan
  Siegfried Wanderer
    Fafner
  Tristan und Isolde Kurwenal
  Parsifal Amfortas
    Klingsor
Weber Der Freischütz Kuno
Zemlinsky Der König Kandaules Philebos/Koch

News

Welcome aboard!
In the spirit of Wagner’s Dutchman, one of his signature roles, we would like say a warm “Welcome aboard” to Tómas Tómasson at Boris Orlob Management. We are looking forward to a productive collaboration!
A look at the upcoming season reveals exciting things; on occasion of the re-opening of Grand Théâtre de Geneve, Tómasson will be performing the role of Wotan, another signature role of his, in Wagner’s Ring under the baton of Georg Fritzsch. Alongside him on stage is Dan Karlström as Mime.
Das Rheingold: 12.02.; 05./12.03.
Die Walküre: 13.02.; 06./13.03.
Siegfried: 15.02.; 08./15.03.
In addition, Tómasson will be performing the Walküre-Wotan in Bari as well as at Naples' Teatro di San Carlo under the baton of Juraj Valcuha in May.
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