Born in Chicago, Robert Bork began his studies in the US and completed them with honours in Germany. He started his career as a member of the ensemble at the opera in Cologne.
Engagements followed at La Scala in Milan, Hamburgische Staatsoper, Opéra du Rhin in Strasbourg, Théâtre du Capitole in Toulouse, La Fenice in Venice, DeNederlandse Opera, and at the Royal Flemish Opera in Antwerp.
Robert Bork worked with conductors such as Kent Nagano, Valery Gergiev, Simone Young, Marc Minkowski, Pinchas Steinberg, James Conlon, Ingo Metzmacher, Sebastian Weigle, Hartmut Haenchen and Ivan Fischer.
His wide ranging repertoire covers Jochanaan/Salome, Holländer/Der fliegende Holländer, Balstrode/Peter Grimes, Don Carlo/La Forza del Destino, Fritz Kothner/Die Meistersinger von Nürnberg, Klingsor/Parsifal, Masetto/Don Giovanni, Faninal/Der Rosenkavalier, Music Master/Ariadne auf Naxos, Kaspar/Der Freischütz, Animal Tamer, Rodrigo, and Athlete/Lulu, Simon/Violanta, and Mephisto/Faust, among others.

Recent highlights on the opera stage include Faninal/Der Rosenkavalier under the baton of Kent Nagno in Los Angeles and, Albert/Werther und Turnage‘s Greek at Opernfestspielen Munich, Balstrode/Peter Grimes at Palau de les Arts Valencia and at Deutsche Oper am Rhein, Klingsor/Parsifal in Turku, Widmann’s Babylon/Priest King at Concertgebouw Amsterdam under Markus Stenz, as well as Gunter in Wagner’s Ring in Amsterdam and Antwerpen. Furthermore, he sang the lead role, Ben Ata, in the world premiere of Philip Glass' Marriage of zones three, four and five.
Robert Bork is also very sought after as a concert singer. His repertoire is as versatile as his opera repertoire and ranges from contemporary works such as Das Floß der Medusa by Hans Werner Henze to Brahms‘ Ein deutsches Requiem, Mahler's 8th Symphony, Beethoven's 9th Symphony, and J.S. Bachs‘ St. Matthew-Passion and b-minor Mass.
Among Bork’s future projects is the role of Balstrode/Peter Grimes at Oper Köln as well as the title role of Bluebeard’s Castle in a concertante performance in Barcelona.


General Management

Artist Manager
Boris Orlob
Managing Director 
Mobil: +49-172-8 51 55 14


Repertoire Concert

Bach, J.S. B minor mass
  St. Matthew Passion
Beethoven Symphony no. 9
Brahms Ein deutsches Requiem
Henze Das Floß der Medusa
Mahler Symphony no. 8
Vaughan Williams Fantasia on Christmas Carols

Repertoire Opera

Adams Doctor Atomic Edward Teller
Bartók Bluebeard's Castle Bluebeard
Beethoven Fidelio Don Pizarro
Berg Lulu an Animal Tamer
    an Athlete
Britten Billy Budd Mr. Redburn
  Peter Grimes Balstrode
Enescu Oedipe Créon
Fénelon Faust Méphistophélès
Glass The Marriages Between Zones Three, Four and Five (UA) Ben Ata
Händel Serse Elviro
Henze Die Bassariden Kadmos
Korngold Violanta Simon
Massenet Manon Comte des Grieux
  Werther Albert
Mozart Don Giovanni Masetto
Puccini Tosca Scarpia
  Turandot Mandarin
Saint-Saëns Henry VIII Henry VIII
Schubert Fierrabras Boland
Strauss, R. Ariadne auf Naxos Musiklehrer
  Der Rosenkavalier Faninal
  Salomé Jochanaan
Verdi La forza del destino Don Carlo di Vargas
  Simon Boccanegra Paolo Albiani
Wagner Das Liebesverbot Friedrich
  Das Rheingold Donner
  Der fliegende Holländer Der Holländer
  Die Meistersinger v. Nürnberg Fritz Kothner
  Die Walküre  Wotan
  Götterdämmerung Gunther
  Parsifal Klingsor
  Rienzi Kardinal Orvieto
  Tannhäuser Biterolf
  Tristan und Isolde Kurwenal
Weber Der Freischütz Kaspar
Widmann Babylon Priesterkönig/Der Tod
Zimmermann Die Soldaten Mary


From Valencia to the Rhine as Balstrode
Robert Bork enthused the audience and critics alike as Balstrode in Willy Decker’s staging of Peter Grimes at Valencia’s Palau de les Arts.
Afterwards his path led him to the Deutsche Oper am Rhein where he was once again standing by Peter Grimes’ (embodied by Corby Welch) side, this time under the baton of Wen-Pin Chien.



Peter Grime / Palau de les Arts Valencia / 11.02.18 /

"Robert Bork was a warm and generous Balstrode" 

Elektra / Teatro di San Carlo Neapel / 09.04.17 /

"Robert Bork was an authoritative Orestes" 

Salome / Opéra national du Rhin Strasbourg / 14.03.17 /

"La sombre voix tonnante" 
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