Biography
Born in Madrid, Guillermo García Calvo began his musical education at the age of seven. He concluded his musical studies at the University of Music in Vienna with a thesis on Parsifal and a performance of the Overture from Tannhäuser in the Großer Saal at the Musikverein Vienna.He continued his studies as assistant of Iván Fischer and the Budapest Festival Orchestra, as well as assistant of Christian Thielemann for the production Der Ring des Nibelungen at the Bayreuther Festspiele. In 2003 he made his debut with a performance of Hansel and Gretel at the Schlosstheater Schönbrunn.
He has always maintained a strong relation with the Vienna State Opera ever since he started working there in 2004. He has conducted more than 200 performances at this renowned house including Die Zauberflöte, Macbeth, La traviata, Il barbiere di Siviglia, L’elisir d’amore, and Lucia di Lammermoor.
Furthermore, he is a welcome guest at major houses and festivals inside and outside of Europe, including the Opéra national de Paris (Don Giovanni), Deutsche Oper Berlin (u.a. Les pêcheurs de perles, Carmen, and Rigoletto), Gran Teatre del Liceu in Barcelona (La Gioconda), Opéra de Oviedo (Ring cycle, and Tristan und Isolde), Opéra de Nice (Il barbiere di Siviglia), Teatro Principal de Palma (Salome), Teatro Verdi di Trieste (La sonnambula), and the New National Theatre in Tokio (L’elisir d’amore). Furthermore, he conducted Sorozábal‘s Katiuska in Madrid, Turandot in Bukarest, El amor brujo in Florence, Stiffelio at the Verdi-Festival in Parma, Fascination Wagner on the occasion of the Internationale Maifestspiele at Staatstheater Wiesbaden, as well as a festive gala with Juan Diego Flórez at Müpa Bukarest.
In May 2016, he conducted the first recording of Ramón Carnicer’s Elena e Malvina together with the National Orchestra of Spain.
In addition to his operatic work, Guillermo García Calvo has developed an extensive concert repertoire and he makes regular appearances with renowned orchestras such as the London Symphony Orchestra, Hamburger Symphoniker, Essener Philharmoniker, Deutsche Radio Philharmonie Saarbrücken Kaiserslautern, Orchester der Deutschen Oper Berlin, Orchestra del Maggio Musicale Fiorentino and the National Symphony Orchestra of Mexico.
As from the 2017/18 season he started his tenure as musical director (Generalmusikdirektor) of the Theater Chemnitz and the Robert-Schumann-Philharmonie, where he already conducted i.a. Wagner’s Ring cycle, Parsifal, Die Meistersinger von Nürnberg, Hansel and Gretel, Die Fledermaus, Der Rosenkavalier, Un ballo in maschera, as well as numerous concerts.
Past engagements at the Theater Chemnitz include, among others, are the new productions Mefistofele (Boito), Carmen, and Lohengrin, as well as Wagner’s Ring cycle and Fidelio. In addition, he conducted Il barbiere di Siviglia and Nabucco at Vienna’s State Opera, and Sorozábal’s Zarzuela at the Palau de les Arts in Valencia.
His current projects include conducting Lohengrin at the Chemnitz Opera, Bretón’s Farinelli at the Teatro de la Zarzuela in Madrid, Coppèlia at the Paris Opera, Nabucco at the Vienna State Opera and Carmen at the Semperoper Dresden.
In October 2013 Guillermo García Calvo was awarded the Spanish music prize „Codalario“ as Best Artist 2013. Chapí's Curro Vargas, staged by Graham Vick and conducted by Maestro García Calvo at the Teatro de la Zarzuela in Madrid, was awarded the renowned „Premio Campoamor“ in November 2014. In May 2017, Guillermo García Calvo received the annual European award “Leonardo da Vinci” supported by ten European Rotary clubs.
Artist Website
www.guillermogarciacalvo.comManagement
Opera (Germany, Austria, Switzerland, Scandinavia)Artist Manager

Boris Orlob
Managing Director
boris@orlob.net
Mobil: +49-172-8 51 55 14
Repertoire
Repertoire Concert
Adam | Giselle |
The Chairman Dances | |
Albéniz | Iberia |
J.S. Bach | Brandenburgische Konzerte 1 - 6 |
Baguer | Sinfonie Nr. 2 |
Bartók | Konzert für Orchester |
Beethoven | Die Weihe des Hauses |
Coriolan Ouvertüre | |
Egmont Ouvertüre | |
Leonore Ouvertüre Nr. 3 | |
Klavierkonzerte 1 - 5 | |
Sinfonien Nr. 1, 3, 4, 5, 8, 9 | |
Bernstein | Sinfonische Tänze aus "West Side Story" |
Brahms | Variationen über ein Thema von Haydn |
Doppelkonzert, op. 102 | |
Klavierkonzerte 1 & 2 | |
Serenade Nr. 1 | |
Sinfonien Nr. 1, 2, 4 | |
Britten | Serenade for Tenor, Horn and Orchestra |
Brotons | Concerto "ab origine" for Horn and Orchestra |
Bruch | Kol Nidrei |
Sinfonie Nr. 3 | |
Violinkonzert Nr. 1 | |
Bruckner | Sinfonien Nr. 0 - 3 |
Chopin | Klavierkonzerte Nr. 1 & 2 |
Copland | Fanfare for the Common Man |
Corigliano | Red Violin Concerto |
Debussy | Prélude à l'après-midi d'un Faune |
Duruflé | Requiem |
Dvorak | Sinfonien Nr. 6 & 9 ("Aus der Neuen Welt") |
Elgar | Cellokonzert, op. 85 |
Fauré | Elegie für Cello und Orchester |
Franck | Les Éolides |
Gershwin | An American in Paris |
Glinka | Russlan und Ludmilla Ouvertüre |
Gottschalk | Grande Tarantelle für Klavier und Orchester |
Grieg | Peer Gynt Suite 1 & 2 |
Guridi | Leyenda vasca |
Haydn | Sinfonien |
Hindemith | Symphonische Metamorphosen |
Holst | Oriental Suite |
Janácek | Sinfonietta |
Lalo | Symphonie espagnole |
Cellokonzert in D-Dur | |
Ein Sommernachtstraum | |
Liszt | Faust-Sinfonie |
Liszt/Lanchberry | Mayerling |
Lockhart | Masia mujú |
Mahler | Sinfonien Nr. 4 & 9 |
Mariné | Sinfonie Nr. 1 |
Marqués | Sinfonie Nr. 5 |
Mendelssohn-Bartholdy | Die Hebriden |
Ein Sommernachtstraum | |
A Calm Sea and Prosperous Voyage | |
Die schöne Melusine | |
Trompeten Ouvertüre | |
Sinfonien Nr. 3 & 4 | |
Milhaud | La creation du monde |
Minkus | Le Corsaire |
L. Mozart | Konzert für Trompete und Orchester |
Kindersinfonie | |
W.A. Mozart | Klavierkonzert Nr. 8, 17, 23, 25, 27 |
Hornkonzert Nr. 3 | |
Trompetenkonzert Nr. 1 | |
Konzert für Flöte, Harfe und Orchester | |
Serenade "Eine kleine Nachtmusik" | |
Sinfonie concertante für Violine, Viola und Orchester | |
Sinfonien Nr. 28, 29, 40, 41 | |
Nielsen | Konzert für Klarinette und Orchester |
Poulenc | Konzert für zwei Klaviere |
Prokofiev | Sinfonien Nr. 1, 3, 5 |
Romeo und Julia | |
Cendrillon | |
Rachmaninow | Sinfonische Tänze |
Klavierkonzert Nr. 2 & 3 | |
Ravel | Klavierkonzert in G-Dur |
Boléro | |
Alborado del gracioso | |
Reger | Violinkonzert in A-Dur |
Reinecke | Flötenkonzert in D-Dur |
Rodrigo | Tres danzas antiguas |
Concierto galante für Cello und Orchester | |
Concierto pastoral für Flöte und Orchester | |
Soleriana, Suite für Orchester | |
Rossini | Sonate für Streicher Nr. 4 |
Roussel | Sinfonie Nr. 3 |
Saint-Saens | Cellokonzert Nr. 1 |
Klavierkonzert Nr. 2 | |
Sarasate | Carmen Phantasie |
Schostakowitsch | Kammersinfonie, op. 110 a |
Schubert | Ouvertüre in C-Dur ("Im italienischen Stile") |
Sinfonien Nr. 3, 5, 9 | |
Schumann | Klavierkonzert in a-moll |
Sinfonien Nr. 1 - 3 | |
Genoveva Ouvertüre | |
Sibelius | Sinfonie Nr. 2 |
R. Strauss | Serenade für 13 Blasinstrumente |
Also sprach Zarathustra | |
Sinfonische Fantasie aus "Die Frau ohne Schatten" | |
Smetana | Die Moldau |
Strawinsky | Der Feuervogel |
Psalmensinfonie | |
Pulcinella | |
Jeu de Cartes | |
The Fairy's Kiss | |
Szymanowski | Violinkonzert Nr. 1 |
Tschaikowsky | Der Nussknacker |
Schwanensee | |
Violinkonzert in D-Dur | |
Vaughan Williams | Sinfonie Nr. 6 |
Verdi | Messa da Requiem |
I vespri Siciliani Ouvertüre | |
Vila | Meditaciones sinfónicas |
Vivaldi | Violinkonzert in G-Dur |
Wagner | Wesendonck Lieder |
Weber | Der Freischütz Ouvertüre |
Konzert für Fagott und Orchester | |
Weber/Berlioz | Aufforderung zum Tanz |
Wolf-Ferrari | Il segreto di Susanna Ouvertüre |
Zubiaurre | Prelude zu "Don Fernando el emplazado" |
Prelude zu "Ledia" |
Repertoire Opera
Beethoven | Fidelio |
Bellini | I Puritani |
La Sonnambula | |
Bizet | Carmen |
Les Pêcheurs de Perles | |
Carnicer | Elena e Malvina |
Chapí | Curro Vargas |
de Falla | La vida breve |
Delibes | Coppélia |
Donizetti | L'elisir d'amore |
Lucia di Lammermoor | |
La fille du régiment | |
Eröd | Pünktchen und Anton |
Granados | Goyescas |
Hiller | Das Traumfresserchen |
Humperdinck | Hänsel und Gretel |
Minkus | Don Quixote |
Mozart | Bastien et Bastienne |
Don Giovanni | |
Die Zauberflöte | |
Naske | Die Omama im Apfelbaum |
Ponchielli | La Gioconda |
Puccini | La Bohème |
Turandot | |
Rossini | Il barbiere di Siviglia |
La Cenerentola | |
Un ballo in maschera | |
Rota | Aladdin und die Wunderlampe |
Sorozábal | Katiuska |
J. Strauss | Die Fledermaus |
R. Strauss | Der Rosenkavalier |
Salome | |
Tschaikowsky | Eugen Onegin |
Verdi | Nabucco |
Falstaff | |
Rigoletto | |
La Traviata | |
Macbeth | |
Stiffelio | |
Wagner | Die Meistersinger von Nürnberg |
Der Ring des Nibelungen | |
Parsifal | |
Tristan und Isolde | |
Wagner/Misawa | Der Nibelungenring für Kinder |
News

A Cosmopolitan at the Conductor's Stand: Versatile operas in Vienna, Valencia, and Chemnitz
In the first months of the new season, Guillermo García Calvo will prove his ability to conduct a multifaceted as well as challenging repertoire at great houses. First he will lead the premiere of the new production of Boito’s Mefistofele at Theater Chemnitz on September 28 (+ 5th of October), followed by Fidelio on October 20 (+ January 17 and February 21).Afterwards, he will conduct Sorozábal’s La tabernara del Puerto at the Palau de les Arts in Valencia on these days: October 27/29/32; November 2 and 3.
Finally, Guillermo García Calvo will return to Vienna’s State Opera for Rossini’s Il barbiere de Siviglia. Performance on January 7 and 10
Media
Images
Photo: David Bohmann
Download available

Photo: David Bohmann
Download available

Photo: David Bohmann

Photo: David BohmannVideos
"Das Rheingold" at Theater Chemnitz
"Götterdämmerung" at Theater Chemnitz
Press
Tristan und Isolde / Theater Chemnitz / 23.10.21 / deropernfreund.de
"Die Musiker folgen ihrem Generalmusikdirektor Guillermo García Calvo bedinungslos. [...] Das Orchester zelebriert zarte Passagen und Übergänge ebenso souverän wie die eruptiven Ausbrüche der Partitur. "
Tristan und Isolde / Theater Chemnitz / 23.10.21 / concerti.de
"Generalmusikdirektor Guillermo García Calvo ist am der Pult der Phänomenalen Robert-Schuman-Philharmonie ein Meister der suggestiven, transparenten und dramatisch durchpulsten Klangrede"
Faszination Wagner / Hessisches Staatstheater Wiesbaden / 02.06.19 / opernmagazin.de
"schafft es an diesem Abend das Orchester, den Gesang, das Violinenspiel und die visuellen Impule der Videosequenzen von der Leinwand perfekt zu vereinen"
Das Rheingold / Theater Chemnitz / 05.02.18 / concerti.de
"zeigt einen intelligenten und dabei tieflotenden Theaterpuls"
Das Rheingold / Theater Chemnitz / 05.02.18 / freiepresse.de
"stellte den Gesang auf einen so farbigen wie transparenten, dynamisch stets angemessenen Klangteppich"
Das Rheingold / Theater Chemnitz / 02.02.18 / die-deutsche-buehne.de
"mit formidabler Dynamik, niemals zu laut, doch auch aufbrausend und furchteinflößend"