Biography
The Swiss soprano Flurina Stucki studied singing and music education in Basel in the class of Isolde Siebert and opera in Karlsruhe with Prof. Christiane Libor and Stephan Klemm. Flurina Stucki has been a member of the soloist ensemble at the Deutsche Oper Berlin since August 2018, initially as a scholarship holder and since the 2019/20 season in a permanent position.In the course of her singing career, she has been influenced by personalities such as Margreet Honig, Julia Varady, Dorothee Labusch, Jan Schultsz, Paul Suits, Paul Triepels as well as Regina Heer and Frank Hilbrich. She also enjoyed master classes with Hartmut Höll, KS Brigitte Fassbaender, Stefan Herheim, Roger Vignoles, François Le Roux and Thomas Hampson.
After her debut in June 2018 as 1st Lady in The Magic Flute at the Deutsche Oper Berlin, she has since been entrusted with larger roles, such as Donna Anna/Don Giovanni, Clori in the world premiere of Zad Moultaka's Delirio, Konstanze/Entführung aus dem Serail, Rosalinde/Die Fledermaus, Grosse Hure in Rued Langgaard's Antichrist, Chrysothemis/Elektra, as well as Freia and Helmwige in the new production of Wagner's Ring cycle. In spring 2021 she celebrated great success as a guest at the Theater Basel with the role of Christine Storch in Richard Strauss' Intermezzo.
Flurina has worked with conductors such as Ronald Zollman, Stephan Zilias, Daniel Cohen, Donald Runnicles, Jurai Valčuha and Carlo Montanaro.
Flurina Stucki has also a large song repertoire and performed Messiaen's Harawi together with John Parr in the series of songs and poets at the Deutsche Oper Berlin. The works with orchestra include Wagner's Wesendonck Lieder and Verdi's Messa da Requiem.
Upcoming engagements for 22/23 season include further thrilling role debuts such as Amelia/Boccanegra, Leonore/Fidelio and Elsa/Lohengrin at the Detsche Oper Berlin. She will be a guest in the scenic production of Britten's War Requiem at the Graz Opera where she also sings at the season opening concert Strauss' Four Last Songs with the Graz Philharmonic.
Management
General ManagementArtist Manager

Natascha van Randenborgh
Associate Director
natascha@orlob.net
Mobil: +49-173-7 76 88 20
Repertoire
Repertoire Concert
Brahms | A German Requiem |
Britten | War Requiem |
Strauss, R. | Four Last Songs |
Verdi | Messa da Requiem |
Wagner | Wesendonck Lieder |
Repertoire Opera
Beethoven | Fidelio | Leonore |
Korngold | Die tote Stadt | Marietta |
Mozart | Così fan tutte | Fiordiligi |
Die Entführung aus dem Serail | Konstanze | |
Die Zauberflöte | 1. Dame | |
Don Giovanni | Donna Anna | |
Strauss, R. | Die Frau ohne Schatten | Kaiserin |
Elektra | Elektra | |
Chrysothemis | ||
Intermezzo | Christine Storch | |
Verdi | Simon Boccanegra | Amelia |
Wagner | Der fliegende Holländer | Senta |
Lohengrin | Elsa von Brabant | |
Das Rheingold | Freia | |
Die Walküre | Helmwige | |
Parsifal | 1. Blumenmädchen (1. Mädchen 1. Gruppe) | |
Weber | Der Freischütz | Agathe |
News
"Her husband´s savior" in Fidelio at the
Deutsche Oper Berlin
In January 23' Flurina Stucki makes her Leonore debut at the Deutsche Oper Berlin alongside Klaus Florian Vogt as Florestan in Beethoven's "Fidelio", in the new production by David Hermann and under the musical direction of Dominic Limburg: 7./14. January 2023.It remains exciting for the young Swiss soprano as important role debuts follow: Amelia in Simone Boccanegra and Elsa in Lohengrin, Chrysothemis alongside Catherine Foster as Elektra and Donna Anna in Don Giovanni. She appears aslo in Rued Langgaard's opera Antichrist in an outstanding production by Ersan Mondtag and at the Staatstheater Karlsruhe she returns to the role of Chrysothemis in a revival of R. Strauss's popular opera Elektra.
Media
Images
Photo: Simon Pauly
Download available

Photo: Simon Pauly
Download available

Photo: Simon Pauly
Download available

Photo: Simon Pauly
Download available

Photo: Simon Pauly
Download available

Foto: Sebastian Hannak

Foto: Sebastian Hannak
Press
Simon Boccanegra / Das Theater Lübeck / 16.05.23 / nmz.de.
"Die einzig große weibliche Partie, die Amelia, sang Flurina Stucki, Gast von der Deutschen Oper Berlin. Es wurde ein großartiges Geschenk für die Besucher. Sie machte aus ihrer lyrischen Auftrittsarie als Amelia mit stimmungsvollen "Come in quest´ora bruna'' einen betörenden Höhepunkt."
Simon Boccanegra / Das Theater Lübeck / 14.05.23 / klassik-begeistert.de
"Star des Abends war unbestritten die Sopranistin Flurina Stucki von der Deutschen Oper Berlin, deren Amelia mit größtmöglicher Präsenz bei Berücksichtigung all der Zartheiten in der Wiedergabe ihrer Emotionen absolut überzeugte. Darstellerisch und gesanglich bot sie eine umwerfende Einheit;
sie verstand es, ihre starke, alles überstrahlende Stimme zu zügeln, wenn es zu seelenvollen Duetten wie dem mit ihrem wiedergefunden Vater oder ihrem Geliebten Gabriele Adorno ging."
Vier Letzte Lieder / Oper Graz / 17.09.22 / opera-online.com
" ...wurden sie von der Schweitzerin Flurina Stucki kraftvoll, mit wunderbarer Phrasierung und auch Innigkeit gesungen."
Antikrist / Deutsche Oper Berlin / 02.02.22 / faz.net
" ...mit dem üppig süßen Wonnesopran von Flurina Stucki."
Intermezzo / Theater Basel / 25.04.21 / opernmagazin.de
"Zuerst muss die junge Schweizer Sopranistin Flurina Stucki als ganz große Entdeckung genannt werden. "