Biography

Moldova born and Berlin native mezzo-soprano Alexandra Ionis studied at the Berlin Universität der Künste and the Milan Conservatorio di musica Giuseppe Verdi and was a member of the International Opera Studio of the Accademia nazionale di Santa Cecilia, where she was taught by Renata Scotto among others.
Already during her studies she took part in Aribert Reimann's opera Melusine/Pythia at the Berlin UdK under Errico Fresis and Frank Hilbrich.

Since then, her love of contemporary and modern music has been demonstrated numerous times, including Widmann's Babylon and Reimann's Gespenstersonate/Mumie at the Staatsoper Unter den Linden Berlin, Britten's Death in Venice under Donald Runnicles and Graham Vick at Deutsche Oper Berlin, Berg's Wozzeck/Margret at the Palau de les Arts in Valencia under James Gaffigan, and the two world premieres Die Schneekönigin (Tischlerei der Deutschen Oper Berlin) and Subotnik (Neuköllner Oper) by the composer Samuel Penderbayne.
In addition, she sang in the world premiere of Péter Eötvös' opera Sleepless at the Staatsoper Unter den Linden with revivals in Geneva and Budapest and could recently be heard in a staged project with music by Zimmermann (director: Calixto Bieito) with the Gürzenich Orchestra under the direction of François-Xavier Roth at the Philharmonie Köln and the Elbphilharmonie Hamburg.

Other opera engagements in recent seasons include Roßweiße in Die Walküre under the direction of Stefan Reck at the Teatro Petruzzelli in Bari and under Juraj Valčuha at the Teatro di San Carlo in Naples, Il viaggio a Reims/Maddalena and Il trovatore, both under Giacomo Sagripanti at the Deutsche Oper Berlin, Maddalena at the Dresden Semperoper, Annina/Der Rosenkavalier at the Staatsoper Unter den Linden Berlin (Simone Young/André Heller), as well as Annina/Rosenkavalier, Ulrica/Un ballo in maschera and Marcellina/Le nozze di Figaro at the Chemnitz Opera House.

Her concert repertoire includes works by Pergolesi, Bach, Rossini, Verdi, Mahler, Shostakovich, Ravel, Tchaikovsky, Prokofiev and Rachmaninov.

Highlights of the previous season were Schwertleite in the new Ring production at the Staatsoper Unter den Linden (director: Dmitri Tcherniakov) under the musical direction of Christian Thielemann and Thomas Guggeis, the revival of the popular production Die Schneekönigin at the Tischlerei of the Deutsche Oper Berlin, and the world premiere of the children's opera Robin Hood (M. dall'Ongaro) at the Teatro Petruzzelli in Bari, in which she sang the role of the Nurse.

Projects in the 2023/24 season include revivals of Die Walküre at the Staatsoper Unter den Linden, Il viaggio a Reims and Die Schneekönigin at the Deutsche Oper Berlin, as well as the new production of Elektra/3rd Magd (director: Philipp Stölzl) with the Berliner Philharmoniker under Kirill Petrenko in Baden-Baden and in concert at the Berlin Philharmonie. Further, Ionis can be heard in concert performances of Zimmermann's Die Soldaten/Stolzius' Mutter with the Cologne Gürzenich Orchestra and François-Xavier Roth (director: Calixto Bieito) in Cologne, Hamburg and Paris.

As of this season, Ionis is a member of the ensemble at Theater Bielefeld, where in her first season she can be experienced as Anaide in Leoncavallo's Zazà, Mrs Quickly in Verdi's Falstaff, and in the mezzo part in Verdi's Requiem, among others.

Alexandra Ionis is a scholarship holder of the Richard Wagner Society since 2018.

Management



Artist Manager
 
 
 
 
Ingunn Sighvatsdóttir
Artist Manager
ingunn@orlob.net 
Mobil: +49-173-2 067 821

Repertoire

Repertoire Concert

Bach, J.S. Christmas Oratorio
Beethoven Missa Solemnis
  Symphony no 9
Mahler Symphony no 3 (alt solo)
Rossini Petite messe sollenelle (alt solo)
Verdi Messa da Requiem
 

Repertoire Opera

Bartók Bluebeard's Castle Judith
Bizet Carmen Carmen*
Britten Death in Venice Beggar / 4th alto
Dall'Ongaro Robin Hood (UA) Nutrice
Donizetti La Favorite Léonor de Guzman*
Leoncavallo Zazà Anaide
Martinu The Greek Passion Katerina
Mascagni Cavalleria rusticana Santuzza*
Mozart Die Zauberflöte 3rd Lady
  La clemenza di Tito Sesto
  Le nozze di Figaro Marcellina
Offenbach Les contes d'Hoffmann Voix de la tombe
Penderbayne Die Schneekönigin Räubertochter, Prinzessin, Lappin
Reimann Gespenstersonate Die Mumie
  Melusine Pythia
Rossini Il viaggio a Reims Maddalena
Saint-Saens Samson et Dalila Dalila*
Strauss Der Rosenkavalier Annina
  Die Ägyptische Helena Elfe
  Elektra 3rd Magd
Verdi Aida Amneris*
  Don Carlo Eboli
  Falstaff Ms. Quickly
  Il trovatore Azucena*
    Inez
  Un ballo in maschera Ulrica
Wagner Der fliegende Holländer Mary
  Die Walküre Fricka
    Rossweisse
    Siegrune
    Schwertleite
  Götterdämmerung 2nd Norn
  Tannhäuser Venus
Widmann Babylon Septette
Zimmermann Die Soldaten Stolzius‘ Mutter

*in Vorbereitung

 

Press

 

Falstaff / Theater Bielefeld /
Juli 2024 / Opernwelt


"Ein Ausbund an Komik und mit grabesdunkel grundiertem Mezzo"

Die Soldaten / Philharmonie de Paris /
28.01.24 / anaclase.com


"On retrouve le timbre moelleux et riche d'Alexandra Ionis en Mère de Stolzius à gosier fort souple"

Die Soldaten / Philharmonie de Paris / 19.01.2024 / classiquenews.com


"impressionnent par leurs graves profonds et leur présence scénique confondante"  

Die Soldaten / Kölner Philharmonie / 19.01.2024 / die-deutsche-buehne.de


"großes Bühnentemperament"  

Wozzeck / Palau de les Arts / 28.05.2022 / tempsarts.cat


"Alexandra Ionis va encarnar una excellent Margret" 

Un ballo in maschera / Oper Chemnitz / 03.12.17 / mdr.de


"Überzeugend war auch Altistin Alexandra Ionis" 

Un ballo in maschera / Oper Chemnitz / 03.12.17 / freiepresse.de


"sorgt für Gänsehautmomente" 

Un ballo in maschera / Oper Chemnitz / 03.12.17 / theaterfoerderverein-chemnitz.de


"Wie leicht oder wie glänzend kommt rüber, was doch so schwer zu singen ist" 

Un ballo in maschera / Oper Chemnitz / 02.12.17 / concerti.de


"das Profil eines sehr gut entwickelten Mezzosoprans" 

Der Rosenkavalier / Oper Chemnitz / 08.10.17 / der-neue-merker.eu


"mit einem voluminösen Mezzo" 

Gespenstersonate / Werkstatt der Staatsoper Berlin / 28.06.17 / badische-zeitung.de


"mit mächtigem Mezzo und enorm fokussiert" 

Gespenstersonate / Werkstatt der Staatsoper Berlin / 27.06.17 / anaclase.com


"l'excellente Mumie d'Alexandra Ionis" 

Gespenstersonate / Werkstatt der Staatsoper Berlin / 26.06.17 / tagesspiegel.de


"mit bemerkenswerter Stimmkraft und emotionaler Präsenz" 

Mahler 3. Sinfonie / Kurhaus Bad Bevensen / 05.01.17 / barftgaans.de


"Makellos die Mezzosopranistin" 

Die ägyptische Helena / Deutsche Oper Berlin / 09.04.16 / konzertkritikopernkritikberlin.wordpress.com


"fußflinke und schön singende Solistinnen" 

News

Off to the Wagner Olympics!
Also this year, Bayreuth audiences can look forward to Mika Kares who will once again sing the role of Hagen (Götterdämmerung) in the revival of the RING, this time under the musical direction of Simone Young. Among others, he will be joined by Alexandra Ionis, who is making her Bayreuth debut this summer and can be heard for the first time as 2nd Norn in Götterdämmerung and Siegrune in Die Walküre.
Performance dates: 29.7. (Die Walküre), 2.8. (Götterdämmerung), 21.8. (Die Walküre), 25.8. (Götterdämmerung).

In addition to the above mentioned roles, Alexandra Ionis will also be on stage as Mary in this year's children's opera Der Fliegende Holländer: 25/26/27/28/30/31 July & 01/02/03 August 2024

Another festival debutant is soprano Flurina Stucki, who can be seen and heard as Hirt in Tannhäuser (Tobias Kratzer/Nathalie Stutzmann) from July 26th and as Flower Maiden in Parsifal (Jay Scheib/Pablo Heras-Casado) from July 27th. Alongside Andreas Schager in the title role, Betsy Horne is again cast as Flower Maiden and 1st Squire.
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