Biography
The Faroese Bass Rúni Brattaberg first graduated as a documentary photographer in Copenhagen, before he trained to become a singer. He studied at the Sibelius Akademia in Helsinki from 1997-99 and at the International Operastudio in Zürich from 1999-2000After his first engagements in Mainz, Ulm, Detmold and Bern, he was engaged from 2009-2011 at Nationaltheater Mannheim, where he sang: Gurnemanz, Hagen, Hunding, Fafner, Veit Pogner, König Heinrich, Basilio, Timur, Sparafucile, Sarastro, Baron Ochs, and Osmin.
He sang as a guest at Nationalopera Amsterdam, La Monnaie in Brussels, Opera Lausanne, Theater Bonn, Aalto Theater Essen, and at Opera Bastille in Paris.
In Mai 2011, Rúni Brattaberg replaced the ill Kurt Rydl as Baron Ochs in Amsterdam under the baton of Sir Simon Rattle.
In the season of 2013/14, Rúni Brattaberg made his debut at the Metropolitan Opera in New York (Baron Ochs in "Der Rosenkavalier"), at the Cincinnati Opera, and at the Chicago Lyric Opera.
In the current season, Rúni Brattaberg can be heard at Opera Leipzig as Grande Inquisitore/Don Carlo and Landgraf Hermann/Tannhäuser as well as, following last season’s successes, Eremit in Weber's "Der Freischütz" and in the Wagner roles; Fasolt/Das Rheingold, Hunding/Die Walküre, Fafner/Siegfried, Hagen/Götterdämmerung, and Gurnemanz/Parsifal.
Artist Website
www.runibrattaberg.comManagement
Worldwide non-exclusiveArtist Manager

Boris Orlob
Managing Director
boris@orlob.net
Mobil: +49-172-8 51 55 14

Natascha van Randenborgh
Associate Director
natascha@orlob.net
Mobil: +49-173-7 76 88 20

Ingunn Sighvatsdóttir
Artist Manager
ingunn@orlob.net
Mobil: +49-173-2 067 821
Repertoire
Repertoire Concert
Bach, J.S. | St. John Passion |
Beethoven | Symphony no 9 |
Haydn | The Creation |
Mendelssohn | Paulus |
Verdi | Requiem |
Repertoire Opera
Beethoven | Fidelio | Rocco |
Berg | Wozzeck | Doktor |
Britten | A Midsummer Night's Dream | Peter Quince |
Monteverdi | L'Incoronazione di Poppea | Seneca |
Mozart | Die Entführung aus dem Serail | Osmin |
Die Zauberflöte | Sarastro | |
Sprecher | ||
Don Giovanni | Commendatore | |
Prokofiev | The Love for Three Oranges | King of Clubs |
Puccini | Madama Butterfly | Bonzo |
Turandot | Timur | |
Rossini | Il barbiere di Siviglia | Basilio |
Sallinen | Juha | Tervamies |
Kullervo | Merikanto | |
Tiera | ||
Strauss, R. | Ariadne auf Naxos | Truffaldino |
Der Rosenkavalier | Baron Ochs | |
Die schweigsame Freu | Sir Morosus | |
Tchaikovsky | Eugene Onegin | Prince Gremin |
Mazeppa | Orlik | |
Verdi | Aida | Ramphis |
Don Carlo | Filippo | |
Il frate | ||
Il grande inquisitore | ||
La forza del destino | Padra Guardiano | |
Macbeth | Banco | |
Otello | Lodovico | |
Rigoletto | Sparafucile | |
Wagner | Das Rheingold | Fafner |
Fasolt | ||
Der fliegende Holländer | Daland | |
Die Meistersinger v. Nürnberg | Veit Pogner | |
Die Walküre | Hunding | |
Götterdämmerung | Hagen | |
Lohengrin | König Heinrich | |
Parsifal | Gurnemanz | |
Titurel | ||
Siegfried | Fafner | |
Tannhäuser | Landgraf Herrmann | |
Tristan und Isolde | König Marke | |
Weber | Der Freischütz | Caspar |
Eremit |
Press
Der Ring des Nibelungen / Oper Leipzig / 05.-08.05.16 / opernnetz.de
"Idealbesetzung für die beiden Bösewichter"