Biography

The Texan baritone Elliott Carlton Hines completed his studies in 2012 at the Oberlin Conservatory in Ohio and subsequently earned his Master of Music degree at the Juilliard School in New York.

He was a Lied Stipendiat at the Heidelberger Frühling and a finalist in the EquiVoci Musicali Competition 'Salvatore Licitra' in Milan.

In 2015/16, Elliott Carlton Hines became a member of the Gerard Mortier International Opera Studio at the Salzburger Landestheater, where he later sang as a permanent member before joining the Staatsoper Stuttgart in the 2020/21 season as a full ensemble member. Over the years, he has built up an extensive repertoire with many specialist roles, including Masetto/Don Giovanni, Prosdocimo/Il turco in Italia, Schaunard/La Bohème, Sparbüchsen Bill/Aufstieg und Fall der Stadt Mahagonny, Spalanzani/Hoffmann's Erzählungen, Il Conte/Le Nozze di Figaro, Kilian/Der Freischütz, Herr Eiler/Der Schauspieldirektor, Papageno/Zauberflöte, Die Standuhr und Der Kater/L’Enfant et les Sortilèges, Kirschbaumträger/Die Verurteilung des Lukullus, Sythyre und Cythéron/Platée und Testo/Il Combattimento di Tancredi e Clorinda.

In the concert field, Elliott Carlton Hines has performed the bass solos in Bach's St. Matthew Passion and Christmas Oratorio at the Oregon Bach Festival, as well as the role of Lucifero in Handel's La Resurrezione conducted by William Christie.

Guest productions have taken him to various places, including the world premiere of David Blake's and Keith Warner's new opera 'Icarus' at the Festival "Cantiere Internazionale d'Arte Montepulciano," to the Birmingham Opera Company under the direction of Graham Vick with the world premiere of Giorgio Battistelli's 'Wake,' and in 2021, his debut at La Scala in Milan in Kurt Weill's 'Die sieben Todsünden' and 'Mahagonny Songspiel' under the musical direction of Riccardo Chailly. A return invitation to La Scala has already been confirmed for the upcoming season.

In the 22/23 season, he was heard in Stuttgart in productions such as Rameau's 'Platée,' the premiere of 'Der Räuber Hotzenplotz' as Kasperl, the staged Johannes Passion conducted by Diego Fasolis, and Messiaen's 'Saint François d'Assise.' He also appeared with Kurt Weill's 'Lady in the Dark' in a new production at Opera Zuid in the Netherlands.

In the 23/24 season, Elliott Carlton Hines will perform in the world premiere of the opera 'Dora' by Bernhard Lang, in a pasticcio - Baroque - opera 'La Fest,' and once again as Kasperl in 'Der Räuber Hotzenplotz.' Additionally, he will return to the Birmingham Opera Company with Michael Tippett's opera 'New Year' in the role of Donny under the musical direction of Alpesh Chauhan.

 

Management



Artist Manager
 
 
 
 
Natascha van Randenborgh
Associate Director
natascha@orlob.net 
Mobil: +49-173-7 76 88 20

Repertoire

Repertoire Concert

Bach, J.S. Christmas Oratorio 
  Ich habe genug, BWV 82
  St. John Passion / Arias
  St. Mark Passion / Arias, Jesus
  St. Matthew Passion / Jesus
Barber Dover Beach
Duruflé Requiem
Fauré Requiem
Kutavičius, B. Iš jotvingių akmens (From the Yotvingian stone)
  Jeruzalės vartai (The Gates of Jerusalem)
Händel La Resurrezione / Lucifero
  Messiah
Haydn Heiligmesse
  Nicolaimesse
Martin Sechs Monologe aus Jedermann
Mozart Coronation Mass
  The Little Masonic Cantata  KV 623
  Vesperae Solennes de Confessore
Poulenc Le Bal Masqué
Schütz Die Sieben Worte Jesu Christi am Kreuz / Jesus
Schumann Kerner-Lieder, Op. 35
Telemann Du aber, Daniel, gehe hin
 

Repertoire Opera

Battistelli, Giorgio Wake (World Premiere) Jesus
Bizet Carmen Dancaïre
    Moralès
Blake, David Icarus (World Premiere) Man One
Brand, Max Stormy Interlude Trooper
Dessau Die Verurteilung des Lukullus Kirschbaumträger
Donizetti Don Pasquale Notaro
  Le convenienze ed inconvenienze teatrali L'ispettore del teatro 
  L'elisir d'amore Belcore
Glass Les enfants terribles Paul
Gluck Iphigénie en Tauride Un Scythe
    Le Ministre du Sanctuaire
Gregoretti, Lucio La fugitive Director
Händel Radamisto Farasmane
Haydn Il mondo della luna Scolari
Janáček Cunning Little Vixen Pasek
King, Matthew The Pied Piper  Henchman
Lang, Bernhard Dora (World Premiere) Berthold
Martin, Jorge Tobermory Tobermory
Messiaen Saint François d'Assise Frère Sylvestre
Mozart Die Zauberflöte Papageno
  Don Giovanni Masetto
  Le nozze di Figaro Il Conte di Almaviva
Mozart/Albrecht Der Schauspieldirektor Herr Eiler
Offenbach Les Contes d'Hoffmann  Spalanzani
Poulenc Dialogues des Carmélites 1 Officer
Prokofiev L'Amour des trois oranges Le Maître de cérémonies
Puccini La bohème Schaunard
Rameau Platée Un Satyre
    Cithéron
Ravel L'Enfant et les Sortilèges L'Arbre 
    L'Horloge comtoise
    Le Chat
    Le Fauteuil
  L'Heure espagnole Don Inigo Gomez
Rossini Il signor Bruschino Gaudenzio
  Il turco in Italia Poeta
  La scala di seta Germano
  Viva la Diva - Le convenienze ed inconvenienze teatrali Stage Director
Schwab, Sebastian Der Räuber Hotzenplotz  Kasperl
Smetana The bartered bride Krušina
Strauss, R. Ariadne auf Naxos Perückenmacher
Verdi La traviata Barone Douphol
  Rigoletto Il conte di Monterone
Weber Der Freischütz Kilian
Weill Mahagonny Songspiel Bobby
  Rise and Fall of the City of Mahagonny Bank-Account Billy
  The Seven Deadly Sins  Brother
 

Repertoire Musical

Bricusse Doctor Dolittle Albert Blossom
    Schneller Ochse
Idle/Du Prez/Innes Spamalot Patsy
Strouse/Carnin President Annie
Weill/Gershwin/Hart Lady in the Dark Charley Johnson

News

Longing for something new - world premiere "Dora" in Stuttgart
Elliott Carlton Hines shines in the touching role of Berthold in the world premiere by Bernhard Lang at the Stuttgart State Opera, directed by Elisabeth Stöppler and conducted by Elena Schwarz.
Premiere on 3 March.

Further performance dates: 8/15/22 March and 1/4 April 2024

Media

Press

 

Enfants terribles / Staatsoper Stuttgart / 13.03.2022 / onlinemerker.com


"Als Paul brilliert Elliott Carlton Hines mit opulentem Bariton" 

Enfants terribles / Staatsoper Stuttgart / 13.03.2022 / kultur-extra.de


"...Elliott Carlton Hines (sängerisch mit seinem vollen kräftigen Bariton der primus inter pares)..." 

Matthäus-Passion / Christuskirche Salzburg / 27.03.17 / drehpunktkultur.at


"strahlt Charisma aus: stimmlich wie optisch" 
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